He painted more than 70 covers for science fiction and fantasy paperback novels, and he created several stamp designs for the US Postal Service, most notably The World of Dinosaurs in 1996. Gurney's freelance illustration career began in the 1980s, during which time he developed his characteristic realistic renderings of fantastic scenes, painted in oil using methods similar to the academic realists and Golden Age illustrators. Gurney and Kinkade also worked as painters of background scenes for the animated film Fire and Ice, co-produced by Ralph Bakshi and Frank Frazetta. Prompted by a cross-country adventure on freight trains, he and Thomas Kinkade coauthored The Artist’s Guide to Sketching in 1982. He then studied illustration at the Art Center College of Design in Pasadena, California for a couple of semesters. He studied archaeology at the University of California, Berkeley, receiving a BA in Anthropology with Phi Beta Kappa honors in 1979.
James Gurney grew up in Palo Alto, California, the youngest of five children of Joanna and Robert Gurney, a mechanical engineer.Įncouraged to tinker in the workshop, he built puppets, gliders, masks, and kites, and taught himself to draw by means of books about the illustrators Howard Pyle and Norman Rockwell.
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Gurney, who also taught himself how to draw, also worked with animation icon Ralph Bakshi for a time, prior to writing Dinotopia. The dinosaur Torvosaurus gurneyi was named in honour of Gurney in 2014. He also holds as BA in anthropology, and even has a dinosaur species named in his honor. and yet its illustrations, worldbuilding, and visuals have largely inspired both George Lucas's Star Wars (from the prequel trilogy to the present-day Disney helmship), and even James Cameron's Avatarįor those unaware, Dinotopia, or Dinotopia: A Land Apart from Time, was originally a book written, and illustrated, by James Gurney, an artist who also studied archaeology and anthropology. “We will have interaction between the dinosaurs and humans, riding them, flying them, helping to hatch their eggs, and co-habitating in a new continent.It seems, to my knowledge, that the work Dinotopia is relatively obscure. “Ours will be far superior,” he told Variety columnist Army Archerd. Halmi, who recently saw Disney’s blockbuster computer animated film “Dinosaur,” says his dino-miniseries will be better. “Dinotopia” also features characters (both dino and human) who can read and write in a dinosaur-footprint alphabet and fly around on giant-winged dinosaurs. The machines they use are fantastical 19th century gadgets that were never invented in real-life.
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In the books, dinosaurs mix freely with people and everyone lives in exotic cities (one is built in middle of a series of waterfalls). “Dinotopia,” though, takes a different twist on evolution then Darwin ever did. In the stories, a “lost” continent is discovered by a biologist named Arthur Denison and his 12-year-old son in the year 1862 – around the same time the father of the theory of evolution, Charles Darwin, was alive. The miniseries will be based on a series of best-selling books by upstate New York-based illustrator James Gurney, who created the make-believe world in 1992. Last spring’s 10-hour flop, “The 10th Kingdom,” cost more than $40 million.Īnother Halmi project, “The Bible,” on NBC’s schedule for next year, may eventually cost even more that “Dinotopia,” according to reports that “The Bible’s” budget might top $150 million.īut, for now, “Dinotopia” seems to be the most expensive yet. When necessary, he supplements his big-budget films with money from foreign investors, according to reports. Typically, most of Halmi’s lavish productions, such as NBC’s 1998 mega-hit “Merlin,” cost around $30 million to make. The six-hour ABC show – about a land where dinosaurs and humans live toduction later this summer under the gether in harmony – is set to begin prowatchful eye of Robert Halmi Jr., the brains behind a slew of recent miniseries including “Gulliver’s Travels,” “The 10th Kingdom” and “Arabian Nights.” WITH a big-screen budget of around $70 million, a new mini-series called “Dinotopia” could be the most expensive made-for-TV-movie of all time.
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